Ettore Garzia on Percorsi Musicali: « Le nuove generazioni compositive italiane: Gaia Aloisi » (2024)
I N T E R V I E W S
« [...] Aloisi manages to give in her pieces a definition of temporal syncopation and multiplicity of observation elements which is particularly successful and uncommon. There is a lot of competence and identification in her compositions, which must be assigned to the best performers. »
« Della pace interrotta is murky, very notable in terms of the overall interventions and the organization of the writing. There are dramaturgical fragments of singing, of unconventional techniques of the instruments and a moody and underlying syncopation of the piece that moves towards a theatricality without rhetoric. »
Federico Esu for ITACA - Podcast: « Episodio 66 - Gaia tra Vienna e Cagliari » (2024)
Claudio Sanna for Compositori Sardi Contemporanei: « Dialoghi #11 - Gaia Aloisi » (2024)
O T H E R
Friuli Oggi: « Il Concorso Musicale Città di Palmanova incorona i suoi vincitori » (2024)
« And another prestigious collaboration will concern the New Music Award, won by the composer Gaia Aloisi [...] and the performer of the piece, the Venetian violinist Sara Mazzarotto. On the sidelines of the result of the Competition, both received an interesting artistic proposal from the Croatian musician and composer Berislav Šipuš, former Minister of Culture of Zagreb in 2015-16 and authoritative member of the Jury, who will soon invite the violinist to perform in Croatia and will commission a piece to the composer for his ensemble. »
« Gaia Aloisi, winner of the first edition of the 'Secondo Orizzonte Musica 2022' competition, obtained significant recognition and commissions from international institutions during 2023. »
Il Resto del Carlino: « A caccia di nuovi talenti musicali » (2023)
Logos News: « Amat Sax Quartet alla Camera del Lavoro » (2024)
« The "Italian" part features three composers closely linked to each other: Gaia Aloisi, a new reality on the national scene, [...] with the work "En corps, matière". »